English 205-3478 American
Literature from the Beginnings to 1880.
3 credits
Dr. Anne Mills King
This is a generic course
syllabus, without dates, to let you know what to expect,
This course will trace
revolution and change in
How to find me: Office: Marlboro 3056.
Office hours posted on the door. Phone: 301-322-0594. Call and leave a voice
mail; I’ll return it!
E-mail: aking@pgcc.edu
This syllabus and much other
information will be on my web page: http://academic.pgcc.edu/~aking
Textbook: The Heath Anthology of American Literature. Lauter, ed. Volume 1, 4th
edition.
Attendance: You are
expected to attend class, be on time, and turn in assignments on time. I will not
accept late papers, and I expect that everyone will have read the assignments
on the day they are due. If you have a problem, let me know.
What to expect: Though deadlines are firm, assignments are
flexible. You will have five grades:
tests, papers, and projects. In
addition, a journal is required. You
will be downgraded for late papers (unacceptable anyway) and for excessive
absences (more than 4 absences will take away 5% of your grade). Don=t stay away from class if you are unprepared; you will
lose doubly. All papers must be
typed. What you learn here meshes
with other courses in history, sociology, literature. We will have films, music, possible field
trips, and other unique not-to-be-missed happenings.
Grading:
$
Journals (10%)
$
Participation
(5%)
$
Attendance
(5-10%)
$
Short papers and
reports (5% each, up to 15%)
$
Paper II (20%)
$
Midterm test
(20%)
$
Final test (25%)
Here=s how I figure grades: A=3.6-4.0; B=2.6-3.5; C=
1.6-2.5; D= .8-1.5; F= 0
By the end of the course, you
will have lots of detailed feedback from me on your semester=s work, and I will have it on
my computer.
Journal: is a chronicle of your reactions as you read, not a
rehash of plot or text or web material. It can include your comments,
reactions, clippings, book reviews from magazines or newspapers (sources
acknowledged), or drawings.
The presence of a Journal can
include the preliminary drafts of the analytical papers, reactions to your
reading as you read, questions for discussion in class, responses to questions
put by the instructor, newspaper clippings and programs of cultural events, the
products of in‑class writing periods and quizzes, comments on your
classmates' oral reports, and other things listed in the handout "What is
a Journal?". I will read and comment
on your Journal at intervals, though your grade will come at the end. The journal is a way to communicate, and a
mine for material for your papers as well as a guide for study for your tests. Journal excellence will be rewarded by a
grade at the end of the semester.
Projects: Oral or written reports on some of the authors and
writings in the anthology not assigned to the whole class. They may be a mini-lesson for the class on a
favorite writer, or a panel discussion (Meeting of the Minds). You will do at least two of these during the
semester; assignments will be made early after you explore the book. Be sure to read the excellent introductions
to the anthology sections; even if I do not assign them.
Since you will know ahead of
time that I will be checking your papers for originality, if I find plagiarism
on your part, you will receive a zero for that paper without any chance of
re-writing it. This will lower your
grade for the course considerably. This is a serious offense in this college
and elsewhere; if
it is repeated you are in danger of being expelled from the college.
STUDY GUIDES: WHAT ARE
THEY?
Study guides are sheets which
I make up and hand out to you. They
generally consist of questions, on the theory that in this course there are
more questions than answers!
Occasionally I may outline for you a particularly difficult or very
important
selection. You might ask‑‑"What
am I to do with these things?" What you should NOT do is stick them away
and forget about them. What you might do is one or more of the following:
<
Each take one
question, discuss in class. You are
responsible for all information on all the questions for tests, so you should
listen to the other class members' responses.
<
Use them as a
guide to reading, explanations, further notes.
<
Use them as a
guide towards the papers and projects you are working on, to find a
"handle" on the material for further writing.
<
Use them as
starting points for informal Journal entries.
<
Use them as hints
of possible future exam questions or daily quiz questions.
Class attendance in
college
You are expected to attend
college classes in a mature, serious manner.
If you need to miss class, it is your responsibility to make up the work
or to inform yourself about material discussed in class.
$
You must come to
class on time and stay until the class is dismissed. I will pass around an attendance sheet for
you to sign in the first ten minutes of class; after that you may no longer
sign it.
$
Absences,
including not signing the attendance sheet, will affect your grade. If you have more than two week=s worth of absences, you will lose up to 10% of your
grade for the course.
$
If you need to
leave the classroom during the class time, do not return and disrupt the class
a second time.
$
Try not to make
other appointments during the time you are expected to be in class. If this is absolutely unavoidable, let me
know ahead of time.
What to expect from me:
$
Call if you have
a problem, and I will return your call.
$
When deadlines
are announced, they will be firm. Tests
cannot be made up, unless by special arrangement before the test is given.
Tests and papers will be returned, graded, within one week.
$
You are
responsible for much of the research on the writers and their works, using the
library facilities. I will tie it all
together to make your study of British literature more rewarding and
fascinating. You will be amazed at how
the writers we study mesh with what you have learned in history, psychology,
and sociology courses
$
In class, expect
to have a relaxed, informal atmosphere with much student participation. We may attend a play or take another
excursion.
$
I expect mature,
responsible behavior‑‑like arriving in class on time and being
respectful to others at all times. All papers must be typed. We will have quizzes on the assigned readings
on the days they are assigned to be read.
Literary Research Tools on
World Wide Web--
You will visit the college
library for a presentation by a librarian of the latest tools the library has
for research on American literature.
1. Literary Research Tools on the Net--an
excellent list of all kinds of sources and easy to move around in
http:www.english.upenn.edu/~jlynch/research.html
2. Your anthology has a very useful web site:
http://www.hmco.com/hmco/college/english/heath/index.html
3. Voice of the Shuttle (a classical allusion!)
http://humanitas.ucsb.edu
4. Pitsco resources
http:/www.usa.net/~pitsco/pitsco/english.html
5. Poetry:
http:/sunsite.unc.edu/dykki/poetry/home.html
http.:www.yahoo.com/art/Literature/poetry
6. Quotations
http:www.columbia.edu/~svl2/bartlett
SYLLABUS
DEADLINES are firm and
indicated on the assignment sheet. Tests are given on the day announced; there
are no make‑up tests.
DATE ASSIGNMENT
(DUE ON THIS DATE)
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Introduction: the readings, the classmates, the teacher. I will summarize some of the material in
the Heath anthology; you take notes and think about what areas you are
particularly interested in. There are
two kinds of reading: what everyone reads, and what you read for your own
project. |
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Native American: Changing
Woman |
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Christopher
Columbus, Cabeza de Vaca;
sign up for projects on colonial period to 1700 (list) |
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Discovery and Exploration;
see video Home from Home John
Smith, Bradford, Frethorne. JOURNAL CHECK |
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Library
visit to learn about the library=s
resources for this course |
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Anne
Bradstreet |
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Rowlandson,
Edwards |
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Paper
I due (handout on this) Hand in journal for comments. |
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Ebenezer Cook, Knight |
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Olaudah Equiano What
makes an American (projects) JOURNAL CHECK |
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The
Enlightenment: Benjamin Franklin, |
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Crevecoeur,
Thomas Paine |
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Thomas
Jefferson |
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Phillis
Wheatley, Susanna Rowson |
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Midterm
Exam |
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Cooper;
present more projects in class from last half of the book |
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Emerson,
Fuller |
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Frederick
Douglass |
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Edgar
Allan Poe |
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College
closed; spring break |
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Harriet
Jacobs |
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Analytical paper due
(separate list of possible topics) Thoreau,
Resistance to Civil Government |
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Hawthorne,
Stowe |
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The
Civil War: Whitman |
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Melville Last day to withdraw |
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Emily
Dickinson: poems numbered (not pages): 249, 258, 280, 288, 303, 306, 324,
341, 401, 435, 441, 465, 640, 657, 712, 754, 986, 1072, 1129 |
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continue Emily Dickinson;
video The Belle of Amherst |
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review
for final exam |
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Final Exam; FINAL JOURNAL
hand in |
EGL 205: American Literature from the Beginnings to the Late Nineteenth Century
EXPECTED COURSE OUTCOMES:
Students who have successfully completed the course will be able to:
1. Identify major authors and works of the period from 1608 to 1880.
2. Identify and describe important literary movements and place specific works in their contexts.
3. Explain how religious, economic, and political forces helped shape American literature.
4. Identity important literary forms of early American literature.
5. Apply at least one critical approach to reading and analyzing a text with documented sources.